Selected Posters
A quiet piece designed to capture the stillness of the day’s end. This print uses a simple split composition—a deep cobalt sky with a wandering orange line set above dusty pink geometric shapes and a dark teal base.
Colors: Cobalt blue, dark teal, dusty pink, and muted orange.
The Look: A mix of sharp, "saw-tooth" layers and loose, organic lines.
Texture: A light grain over the colors for a more tactile, printed feel.
Text: Includes the "Closing Time" title and "OSAKADOSAKA" in small, clean type.
An easy-going print that adds color to a room without overcomplicating the decor. It works well in a workspace or a bedroom to bring a sense of calm to the walls.
This composition uses a layered approach to contrast fluid line art with structured, landscape-inspired forms. It presents a interplay between minimalist geometric elements and expressive calligraphic gestures, creating a surreal visual balance across distinct horizontal planes.
Colors: A harmonious palette featuring a gradient blue-to-pink field, contrasting with a vibrant sun yellow, deep forest green, and a warm terracota-orange horizon, grounded by dark distressed accents and a clean off-white background.
The Look: A contemporary assembly featuring a looping green wireframe line floating in the upper margin, hovering over a stylized horizon line, a glowing circular orb, delicate white line scribbles, and rugged, ink-style textures below.
Texture: A high-contrast mix of soft digital color gradients, crisp geometric vectors, and stippled noise textures. The subtle speckling across the canvas gives the modern digital graphic a refined visual warmth.
This composition uses a layered approach to visualize abstract movement and high-contrast form that presents itself as a landscape to some degree. It has a dynamic collision of gestural strokes and fragmented shapes, suggesting a visual narrative built through a series of energetic, overlapping decisions.
Colors: A balanced palette featuring a bold field of ochre yellow, contrasting with vibrant crimson red, cobalt blue, and muted lavender, grounded by heavy black mark-making and subtle accents of olive green and muted blue-gray.
The Look: Comic like. An abstract assembly featuring a sweeping frame of dark, textural ink strokes surrounding a central window filled with expressive, collage-like shapes and fluid line work.
Texture: A high-contrast mix of gritty, raw digital grain and distressed vector forms. The tactile background tone gives the digital artwork a distinct visual weight and depth.
This print explores the concept of reflection and symmetry between the physical and the abstract. It uses a vertically divided composition to contrast a complex, monochromatic upper field with a vibrant, organic form below, suggesting a relationship between structured thought and raw energy.
Colors: A grayscale upper section featuring charcoal and silver tones, set above a lower black field with a vivid sunset-orange to teal gradient.
The Look: A dense assembly of smooth, overlapping gray volumes in the top half, mirrored by a jagged, electrified floral or crystalline shape at the base.
Texture: A heavy, stippled grain applied throughout the piece, giving the gradients a porous, physical depth reminiscent of risograph printing.
Text: This composition is purely visual, omitting standard titling or technical footers to focus on the balance of the two primary forms.
The print offers a grounded yet energetic presence that anchors a contemporary living space or studio. Its stark division and textured finish provide a sophisticated aesthetic that works well as a standalone focal point.
Spotlight Work
Size: 80 × 80cm
Materials: Oil paint and charcoal on canvas.
This piece uses a varied palette of deep reds, blues, and earth tones to create a complex, layered composition. I worked with oil paints for the broader shapes and used charcoal to add more gestural, sketchy details that contrast with the more solid blocks of color. It’s already stretched on a wooden frame, so it can go straight onto your wall.