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Selected Posters

Closing Time
from €20.00

A quiet piece designed to capture the stillness of the day’s end. This print uses a simple split composition—a deep cobalt sky with a wandering orange line set above dusty pink geometric shapes and a dark teal base.

  • Colors: Cobalt blue, dark teal, dusty pink, and muted orange.

  • The Look: A mix of sharp, "saw-tooth" layers and loose, organic lines.

  • Texture: A light grain over the colors for a more tactile, printed feel.

  • Text: Includes the "Closing Time" title and "OSAKADOSAKA" in small, clean type.

An easy-going print that adds color to a room without overcomplicating the decor. It works well in a workspace or a bedroom to bring a sense of calm to the walls.

Eventide
from €20.00

This composition uses a layered approach to visualize the concept of accumulation and unintended outcomes. It presents a collision of disparate geometric forms and organic textures, suggesting a narrative built through a series of spontaneous, overlapping decisions.

  • Colors: A balanced palette featuring a large field of sage green, contrasting with vibrant sky blue and cherry red, grounded by a large black central form and subtle accents of charcoal and light cyan.

  • The Look: An abstract assembly featuring a sweeping, central black abstract form (reminiscent of a calligraphic figure or a botanical element), set beneath an intricate, wireframe-like sketch (perhaps an architectural study or topographical line art).

  • Texture: A high-contrast mix of raw, grainy printing textures and smooth vector lines. The "paper grain" is palpable, giving the digital elements a tactile, analogue presence.

Dividual Individual
from €20.00

This print explores the duality of the self through an intricate layering of sharp geometric forms and expressive, free-hand linework. It presents a visual dialogue between structured blocks of color and the chaotic, shifting energy that defines the modern identity.

  • Colors: A vibrant mix of burnt orange and forest green set against soft lilac gradients and stark monochromatic accents.

  • The Look: A central frame containing overlapping "saw-tooth" patterns, sweeping curves, and delicate, scribbled profiles that emerge from the background.

  • Texture: A heavy, speckled grain over the entire composition that provides a tactile, analog depth to the digital layering.

  • Text: Includes the title "DIVIDUAL INDIVIDUAL" in the bottom left corner and "OSAKADOSAKA" branding in small, clean type on the right.

The print offers a sophisticated and energetic presence that brings a sense of movement to any contemporary gallery wall. Its balanced yet busy aesthetic makes it an ideal centerpiece for a creative studio or a modern living area.

All in Forms
from €20.00

This print translates the layered, percussive atmosphere of the Bonobo track into a stripped-back, monochromatic study of vertical structure and diffused light. It presents a series of blurred, high-contrast columns that suggest architectural depth or a view through a misted pane, emphasizing rhythm over specific detail.

  • Colors: A strictly grayscale range of deep charcoal, soft ashen grays, and stark whites.

  • The Look: A central field of vertical, spray-like streaks and soft vertical bands, punctuated by a faint, dark geometric shape near the center.

  • Texture: A heavy, speckled grain that creates a grit-like surface, paired with a soft, blurred vignette around the main composition.

  • Text: Features the "ALL IN FORMS" title in a bold, underlined sans-serif at the bottom, accompanied by a small scribbled orb icon and technical series markers.

This piece brings a quiet, industrial mood to a room, acting as a neutral yet textured anchor for a modern interior. Its focus on abstraction and rhythmic grain makes it a versatile choice for a hallway or a minimalist study.

Spotlight Work

Patterns of the Old Ones
€2,100.00

  • Size: 80 × 80cm

  • Materials: Oil paint and charcoal on canvas.

This piece uses a varied palette of deep reds, blues, and earth tones to create a complex, layered composition. I worked with oil paints for the broader shapes and used charcoal to add more gestural, sketchy details that contrast with the more solid blocks of color. It’s already stretched on a wooden frame, so it can go straight onto your wall.